Florence, capital of the Renaissance, we are in the complex of the Basilica of San Lorenzo; Paris, the essence of modern European culture, from the Place de la Madeleine to the Hôtel de Crillon: two monumental exhibition itineraries in which Maestro Andrea Roggi confronts the architecture and volumes of the city through the significant lens of his creations. A journey that is only apparently formal that catapults the viewer into a dreamlike and archetypal dimension.
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Florence, capital of the Renaissance, we are in the complex of the Basilica of San Lorenzo; Paris, the essence of modern European culture, from the Place de la Madeleine to the Hôtel de Crillon: two monumental exhibition itineraries in which Maestro Andrea Roggi confronts the architecture and volumes of the city through the significant lens of his creations. A journey that is only apparently formal that catapults the viewer into a dreamlike and archetypal dimension.
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The exhibition “METALLICA. Sculpture in Italy 1947- 2005” curated by professor, Bruno Corà was conceived with significant works of art signed by Italian artists in the last eighty years; the exhibition thus intends to anticipate the inauguration of the Documentation Centre, also allowing the public to view the environmental redevelopment works, consolidation of spaces, restorations and decoration works.
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There are already several rumours, moreover, about the exhibition that will interest la ville lumière: it seems that it will include six monumental works in the center of Paris and the sculpture “Energy of Life”, created in collaboration with Martin Katz, at the Hôtel de Crillon.
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The city of Perugia will host the exhibition “Materia” by the Austrian sculptor Herbert Golser, from 12 to 30 June 2025, hosted at the Sala Cannoniera of the Rocca Paolina.
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My work arises from a constant dialogue between ideal forms and the material that expresses them, a process that is not purely instinctive nor totally rational. It is a fusion of intuition and reflection, in which natural laws and ideas meet, with geometry marrying to living form. I do not try to separate these aspects, because I believe that beauty emerges precisely from this synthesis between ideal perfection and material imperfection, between thought and gesture.
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Rosy’s art is particularly attuned to the twin themes of social justice and the plight of refugees fleeing from war-torn countries to find a new life. Her goal is to communicate, educate and change perceptions through her art, and her works demonstrate this compassion and empathy. Her mixed media work “Honorum” expresses just this, and is a personal way of honoring the lives of the many refugee children who have drowned in the Mediterranean Sea.
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