I decided to interview the engineer Luciano Vagni because I believe he is part of the soul of Etruscan Perugia, the one who with the excavations under the cathedral brought it to light and who organized the multimedia museum in the monumental complex of Sant’Anna with which he is teaching school children the Etruscan discipline.
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There is a Perugia on the crest of the wave. And it is the one that last year broke all the records of tourist presences from 2017 to rise, exceeding one million presences. There is a Perugia that is regaining possession of its places, sacred and profane, in which the history and actuality of the city of the Griffin lives. And there is an industrious Perugia, in which the neighbourhoods are experiencing a second great season of infrastructural expansion.
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The exhibition at Palazzo della Penna chooses to offer visitors an unprecedented reading of Perugia’s story, focusing on the theme of the “artist’s workshop”, which began to take shape in the Middle Ages, in particular with the affirmation of Giotto’s art, and then consolidated, in its most typical characteristics, during the Renaissance period also thanks to Perugino, whose entrepreneurial skills are known no less than their artistic skills.
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My father Giancarlo started painting at a very young age, expressing his passion and emotions through colours and brush – on a canvas that gradually came to life.
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