Recently back from the exhibition of his “Ki” in Forte dei Marmi, now in Martina Franca until April 30, 2025, Andrea Roggi is preparing for the following year to fly to Nice, to the Momentum Art Gallery, where his sculptural project of international appeal will take place in two parts: from July 15 to September 15 at the Castle of Nice and from September 15 to December 15 at the Quai des États-Unis (on the seafront).
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To get to Lucignano d’Asso you have to leave the provincial road behind, pass a short railway underpass, and climb along a dirt road for about two kilometres. This is where “Da Rita e Eraldo” is located, a small food bar but calling it that is an understatement, which bears the name of the parents of Michele Giannetti, the current owner, who runs the place with the essential help of Stefano and Petra. Inside you can eat, drink, find typical and artistic products, and listen to excellent live music. Breathing history, landscape and art.
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There is a Perugia on the crest of the wave. And it is the one that last year broke all the records of tourist presences from 2017 to rise, exceeding one million presences. There is a Perugia that is regaining possession of its places, sacred and profane, in which the history and actuality of the city of the Griffin lives. And there is an industrious Perugia, in which the neighbourhoods are experiencing a second great season of infrastructural expansion.
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Recently placed, with great logistical and operational effort, as an extreme bulwark of land and sky in front of the vastness of the Tyrrhenian Sea, the monumental work of the master Andrea Roggi will be a magnetic and symbolic pole for the Tuscan coast. It is worth taking a tour of Versilia, more precisely on the pier of Forte dei Marmi, to admire the latest work by the Valdichiana artist: ‘Ki’ – which will be on display until 10 July 2024.
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An exciting new exhibition hosted at the Museo Civico Pinacoteca Crociani in Montepulciano, until 23 June 2024.
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We are in Pjeter’s workshop, in Camucia di Cortona; As soon as we cross the threshold of his ‘world’ we find ourselves immersed and surrounded by sculptures of all kinds, furnishing accessories, unique pieces and splendid paintings. We are in the home of a true artist. He invites us to sit around a table of his own, made of solid oak wood, as he begins to tell us his story.
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Everything that is created is characterized by quality craftsmanship, creativity and maximum customization of the product. There is a vast catalogue from which to take inspiration for a work; Ferro Battuta Valtiberino is able to ‘give an iron body’ to the personal ideas of the individual user or to a professional project of an architect or designer.
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The exhibition at Palazzo della Penna chooses to offer visitors an unprecedented reading of Perugia’s story, focusing on the theme of the “artist’s workshop”, which began to take shape in the Middle Ages, in particular with the affirmation of Giotto’s art, and then consolidated, in its most typical characteristics, during the Renaissance period also thanks to Perugino, whose entrepreneurial skills are known no less than their artistic skills.
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In 1991 he set up the art workshop La Scultura di Andrea Roggi, where he has been crafting his sculptures from start to finish and, with the help of his assistants, he manages to create large-sized yet finely detailed pieces. Bronze is the material he chose, which he puts through the lost-wax casting process to finally transform the clay models into masterpieces.
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With this phrase that contains the essence of the work and spirit of the Casentino artist Sara Lovari, today I invite you to get to know her better and discover her artistic world where shapes blend with colours and emotions are transformed into works of art. With Sara, creativity and imagination have the power to transform reality, and to transport you to a universe of beauty and poetry, where each work is an emotion that takes shape.
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My father Giancarlo started painting at a very young age, expressing his passion and emotions through colours and brush – on a canvas that gradually came to life.
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The link between the world of art and design and La Marzocco has been solid for several decades. This year an important collaboration has taken place with the International School of Comics in Florence. The exhibition hosts the works created by the participants of the last Illustration Marathon, held on 25 March at the Accademia.
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Works of art, limited edition sneakers, design and modern style objects and furniture, customized vintage t-shirts and jackets, drawings hung on the walls and an open laboratory where tattoo artists create their works on the skin of customers. This is the atmosphere you breathe upon entering Locus Womb. A festival of colours, sounds and objects that has nothing to envy to a US tattoo convention.
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As for her work, in addition to events and ceremonies, the Casentino artist promotes family photography and souvenir photos in her studio, “in a world where one is overwhelmed with images without retaining one”. The press is a perfect example of this and I, is absolute testimony – and I, as an old-fashioned publisher, fully agree.
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The Centre is structured as an educational environment and a training space open to people of all ages, from different backgrounds and cultures. It’s a place to develop one’s sociability and exercise one’s creativity, participating in the proposed activities and enjoying this meeting place every day.The activities are very diverse in order to satisfy all different interests and needs, both for young and elderly people with whom the centre also collaborates through an active generational exchange.
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Among the novelties, the scientific color reconstruction of the first documented work of Raphael, the Coronation of Saint Nicholas of Tolentino, edited by Francesco Paolo Di Teodoro and Filippo Camerota, visible in the exhibition through a digital installation produced by the Museo Galileo in Florence, and the scientific account of the important restoration work, by the Central Restoration Institute (ICR), the banner of the Brotherhood of SS. Trinità, the only mobile work of the artist left in Umbria, now located at the Municipal Art Gallery of Città di Castello in the same room of the “Martirio di San Sebastiano’, by Luca Signorelli, one of the most studied artists by Raffaello in his youth. The restoration has allowed to fill some of the gaps present in the work and left ‘exposed’ in the previous intervention of 2006, always edited by the ICR.
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