Everything that is created is characterized by quality craftsmanship, creativity and maximum customization of the product. There is a vast catalogue from which to take inspiration for a work; Ferro Battuta Valtiberino is able to ‘give an iron body’ to the personal ideas of the individual user or to a professional project of an architect or designer.
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The exhibition at Palazzo della Penna chooses to offer visitors an unprecedented reading of Perugia’s story, focusing on the theme of the “artist’s workshop”, which began to take shape in the Middle Ages, in particular with the affirmation of Giotto’s art, and then consolidated, in its most typical characteristics, during the Renaissance period also thanks to Perugino, whose entrepreneurial skills are known no less than their artistic skills.
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In 1991 he set up the art workshop La Scultura di Andrea Roggi, where he has been crafting his sculptures from start to finish and, with the help of his assistants, he manages to create large-sized yet finely detailed pieces. Bronze is the material he chose, which he puts through the lost-wax casting process to finally transform the clay models into masterpieces.
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With this phrase that contains the essence of the work and spirit of the Casentino artist Sara Lovari, today I invite you to get to know her better and discover her artistic world where shapes blend with colours and emotions are transformed into works of art. With Sara, creativity and imagination have the power to transform reality, and to transport you to a universe of beauty and poetry, where each work is an emotion that takes shape.
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My father Giancarlo started painting at a very young age, expressing his passion and emotions through colours and brush – on a canvas that gradually came to life.
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The link between the world of art and design and La Marzocco has been solid for several decades. This year an important collaboration has taken place with the International School of Comics in Florence. The exhibition hosts the works created by the participants of the last Illustration Marathon, held on 25 March at the Accademia.
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Works of art, limited edition sneakers, design and modern style objects and furniture, customized vintage t-shirts and jackets, drawings hung on the walls and an open laboratory where tattoo artists create their works on the skin of customers. This is the atmosphere you breathe upon entering Locus Womb. A festival of colours, sounds and objects that has nothing to envy to a US tattoo convention.
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As for her work, in addition to events and ceremonies, the Casentino artist promotes family photography and souvenir photos in her studio, “in a world where one is overwhelmed with images without retaining one”. The press is a perfect example of this and I, is absolute testimony – and I, as an old-fashioned publisher, fully agree.
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The Centre is structured as an educational environment and a training space open to people of all ages, from different backgrounds and cultures. It’s a place to develop one’s sociability and exercise one’s creativity, participating in the proposed activities and enjoying this meeting place every day.The activities are very diverse in order to satisfy all different interests and needs, both for young and elderly people with whom the centre also collaborates through an active generational exchange.
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Among the novelties, the scientific color reconstruction of the first documented work of Raphael, the Coronation of Saint Nicholas of Tolentino, edited by Francesco Paolo Di Teodoro and Filippo Camerota, visible in the exhibition through a digital installation produced by the Museo Galileo in Florence, and the scientific account of the important restoration work, by the Central Restoration Institute (ICR), the banner of the Brotherhood of SS. Trinità, the only mobile work of the artist left in Umbria, now located at the Municipal Art Gallery of Città di Castello in the same room of the “Martirio di San Sebastiano’, by Luca Signorelli, one of the most studied artists by Raffaello in his youth. The restoration has allowed to fill some of the gaps present in the work and left ‘exposed’ in the previous intervention of 2006, always edited by the ICR.
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A historic and ground-breaking Riviera hotel, the Lucerna was founded in Castiglione della Pescaia in 1958 by Nello Raffi, Laura’s grandfather. In the same year, just think, that the famous Riva del Sole hotel opened. It was in 1972 that her parents Gino and Brunella started working so much there that the young Laura spent her youth here, breathing the air and life of the hotel in the management work as well as in the extraordinary ambience of encounters and acquaintances with the legendary characters of the time.
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Jutta was born in Coblenz in the Rhineland in Germany during the War, and went to study art and design in Dusseldorf. She had always dreamed of leaving Germany to travel, and spent a year abroad studying and working in Rome. When, after 6 years of art school, the possibility to spend a period in South Africa working for a textile company presented itself, the young Jutta jumped at the opportunity.
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The frescoes of the fifteenth century coexist with an older layer dating back to at least two centuries before, which have a clearly templar nature”. They are part of the original decorative apparatus of this, which could have been a church but also a temple, since the motifs refer to the stone of the temple in Jerusalem.
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The Valle Museo [Valley of the Musems] comes closer. What is meant by this expression? Is it said that it was coined a few good decades ago by the Castello gallery owner Luigi Amedei and then became an effective (if abused) synthesis for interregional tourism and cultural policies between Città di Castello and Sansepolcro.
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In this extraordinary “photo album” often painful events in her life pursue one another but she remained always passionate about her life, her loves, friendships and adventures.
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The first historical evidence is found in a parchment of 1010 preserved in the Abbey of San Lorenzo in Coltibuono, in that document it is called plebes Sanctae Mariae quae dicitur Novella – the term novella in the Middle Ages was used to indicate a new piece of cultivated land.
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